Mar. 28th, 2012

sixty-one

Mar. 28th, 2012 08:19 pm
[identity profile] amethysting.livejournal.com

I Feel the Earth Move
Carole King
Tapestry
1971

It's funny that, up until an hour ago, I had no idea what song I was going to post this week.  And now, a dozen listens later, I'm so excited to be sharing another one of my all-time favourites with you.

In the absence of Buffy, I have turned to that old stalwart, Gilmore Girls.  I have seen every episode so many times that I can leave the room and come back without feeling like I've missed a thing.  I tend to hit "next" just before the theme song is going to start so that there is no jolt between the cold open and the start of the show.  Tonight I was in and out of the kitchen, tossing a salad together and frying a grilled cheese, so I managed to hear the theme song--Carole King's "Where You Lead"--all the way through.  It made me stop.  It hit me with that little jolt I was trying to avoid all along.  It made me think about Tapestry.

The first time I heard this album was in my dad's white, boxy, SUV.  The car had just sort of appeared.  I was in grade 9 or 10.  It was kind of like a big, white marker of how my dad had this life that was kind of separate from the one my mom, brother and I lived.  I liked (and like) sitting in the passenger seat of a car with my dad driving because there was (is) always music.  So many things I had never heard of (I would always get a kind of GEEZ!C'MON!EYEROLL when I asked my dad who was singing a particular song, but I asked anyway).  A taste of things I was so resistant to, at first, and sometimes only grew to love years later. 

I remember my dad and I went to Wal-Mart after dinner some random, Spring evening (a weeknight, I'm certain).  I don't think we went with any particular purpose in mind.  My dad likes a good deal.  When he stopped at one of those bright, red, cardboard bins in the middle of an aisle near the electronics section, I wrinkled my nose (and probably rolled my eyes, haha).  The bin was filled with hundreds of cheap cassette tapes.  I feigned interest when my dad pulled a copy of Tapestry out of the pile.  The cover seemed dull; dark and blurry.  I could make out a woman, frizzy hair, cats.

My dad was so excited that he peeled the cellophane off the tape in the parking lot on the way back to the car.  He slid Tapestry into the tape deck, buckled his seat belt and started the engine.  With the power on, the tape was pushed all the way in and the car was filled with that hissing sound that marks the beginning of a cassette tape.  And then...this song.  Those pounding piano chords.  They were like a stomping foot.  A stomping foot that wasn't angry, but rather a reaction to being filled with something so big that it can't keep still.  That voice...I wasn't quite sure about it, but I liked its warmth.  I liked (and like) that one second beat between "I feel the...earth...move...under my feet."  What I did know was that I was listening to something very special.  I could feel the music vibrating out of the speaker in the side of the passenger door and into my leg.  It seemed to thrum right through me, like an electric shock.

When we pulled into the driveway, I told my dad that I could bring the tape in for him, if he wanted me to.  That maybe, while I had it, I would just listen to that first song one more time.  Tapestry eventually set up camp in my room.  I figured that if I just acted like it was mine all along, my dad would eventually forget about it.  If I ever did actually give it back--and I'm not sure that I did--it was only when I got a copy of the re-release on CD a few years later.
[identity profile] amethysting.livejournal.com
________ & ________






Maybe I've got your & on my mind.

Post a song title, album title or the name of a band/duo...as long as it's something AND something.


sixty-one.

Mar. 28th, 2012 11:59 pm
[identity profile] cabaretlights.livejournal.com


Our Hearts
Artist: Firehorse
Album: And So They Ran Faster...
Year: 2011
: One of the many reasons I love this comm as much as I do: my grandiose plans are always foiled; music always wins.

I was waffling between two very important-to-me artists this week, and then I heard this song and I was like well, never mind. This is exactly what this week needs. Lyrically it's so wonderfully relevant, kind of for both of us, I think. Personally, I die a little bit every time she says "Our hearts were on fire / And it burns in our bones" --- fire is a big symbol for me, up there with the butterflies but for very different reasons, and it's so nice to be reminded of that.

Musically, there's something about this song that just hits that absolutely honest spot I love -- and I feel that it is, in a way I don't always, a [fairly] objectively good song. I love the layers, the melodies, how everything builds to that organized chaos at 3:22. I like the hints I hear of Regina Spektor, of slower YYYs songs, of blues-rock/indie folk/electronica all kind of sweetly wrapped in a cheerful, ever-so-springtime package. That's it, really: I hear this song and it sounds like sonic springtime. Differently, very differently, from Venus Hum's interpretation -- from the oh-so-crystal "Illumine" -- but warm. Like sitting outside with bare feet in late March. Songs with promise. With -- as Leah Seigel's writhing singing voice proclaims -- hope.

Our bodies weren't big enough
Our bodies weren't big enough
For all the hope that we had...

And we'll find our way in the end.

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